Found on Yatzer, Taste by Paolo Navone for porcelain manufacturer Reichenbach. The delicately beaded edge is delicious indeed.
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Another way to do it is to colour coordinate with your cat. This little black and white cutie's purpose in life is to pose with greek keys. Mine is grey so something like the above might be called for. Added bonus - cat hair camouflage.
I believe the top two images are from the soon-to-be-no-more Domino mag. Cat images are from The Paris Apartment, a plethora of inspirational (yet achievable) interiors.


Her outfit from the Kids Ball the night before the inauguration. There was a wide belt cinching the lemongrass cardi in at the waist, over a tourquiose skirt.




Michelle Obama images from etonline.com and abc news. All interior images from Domino mag.



Maquette for installation of Seagram murals at Tate GalleryTate Archive Collection© Kate Rothko Prizel and Christopher Rothko/DACS 1998Photo by: J.Fernandes, Tate Photography
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Rothko requested that the murals should be hung high, as that was how they were painted, and shown on a warm background colour, which is how they are displayed here. (The entire room is painted a warm grey)The Seagram Murals were originally
commissioned for a restaurant interior - how tragic would that have been if it had materialised?![]()
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In the mid-1960s, Norman Reid, the Director of the Tate Gallery, approached Rothko about the possibility of extending his representation in the Collection. Rothko responded by suggesting a group of Seagram murals to be displayed as an immersive environment. In September 1969, Reid provided Rothko with a small cardboard maquette of the designated gallery space to finalise his selection and to suggest a hang. This exercise resulted in the major gift of nine murals to
the museum, where they have been displayed almost continuously, albeit in different arrangements, as the so-called 'Rothko Room'.
Rothko never devised a final scheme for The Four Seasons restaurant,
nor did he prescribe a fixed order for the display of his murals at Tate. At an early stage he seems to have contemplated a continuous frieze, as evidenced by the small sketches in this room. By contrast, the Tate model, which includes the small maquettes made by Rothko for a number of the works, suggests that he wanted the paintings to be hung slightly apart with the two extreme landscape formats double-hung. It remains inconclusive, however, as one maquette is missing and two others are blank.
All images and text from Tate site

Russian library from fascinating site English Russia. The books look like forgotten children.
Tyersall House, Singapore by Daniel Cheong. Click on for larger view. Stunning. He also has a group of haunting photos of The Mitre Hotel on his flickr site, which I unfortunately can't download. Pesky copyrights.
Images from Infinite InkI reject your reality and insert my Multiple Personalities~